♣ mediated by @girlgothasTerror
aradiab0ts factual n0 debate 0bjective smash 0r pass list #nsfw #suggestive ♤ ♡ ♧ ♢ jade ♡ smash cute j0hn ♢ pass n0n c0mpatible dave ♢ smash t0lerable r0se ♧ smash seems interesting jake ♢ pass t00 p0lite dirk ♧ pass d0 n0t care f0r him jane ♤ pass n0t interested r0xy ♢ smash seems interesting kanaya ♡ smash t0lerable 0bjectively attractive n0t first ch0ice aradia ♡ smash this is me i have n0 quarrels terezi ♢ smash less t0lerable but w0rkable still attractive karkat ♧ pass int0lerable vriska ♤ smash int0 the gr0und until she bleeds 0ut nepeta ♢♡ unsure s0llux ♡ smash t0lerable equius ♤ smash i want t0 bash his skull in feferi ♢ pass nice n0t wanting m0re tavr0s ♢ pass uninterested eridan ♤ smash want t0 break him gamzee ♢ smash fine n0 preference damara ♧ smash 0ut 0f curi0sity rufi0h ♢ pass uninterested mituna ♤ pass ann0ying kankri ♧ pass see karkat meulin ♢ pass n0t c0mpatible p0rrim ♡ smash curi0us w0uld like t0 kn0w m0re latula ♢ smash slightly m0re t0lerable aranea ♢ pass 0nly eyes f0r 0ne serket h0russ ♤ pass str0ngly dislike kurl0z ♧ pass b0ring cr0nus ♤ pass prefer c0mpletely unr0mantic murder meenah ♧ smash she seems r0ugh
I have 8een requested to provide a proper historical framing of Chittr.ing. A dangerous proposition, naturally. Ah yessssssss. A common tragedy. The platform itself was created 8y Mocali Flaske, though “created” is perhaps too simplistic a term. One does not merely construct a place such as Chittr.ing. One opens a door and hopes reality survives the resulting draft. You see, Mocali has tapped into something far 8eyond what any old hemoanonymous troll should 8e fully capa8le of on say, Alternia. Which leads me to 8elieve that there are powers at play 8eyond Mocali's inherent influence over the platform. At surface level, the site resem8les a fairly standard social media platform. Users post updates, engage in arguments, announce romances, fa8ricate dramas, and conduct ela8orate pu8lic humiliations of one another. Entirely ordinary 8ehavior, naturally. Of course, there are the occasional hiccups. Irregularities occur when you examine 8eyond the surface level performance of the we8site. It would appear that there are possi8ly some powers at play here that exist 8eyond the scale of which one may find themselves comprehending. See: 10,002 Gru8s, Gl'8goly8, the various GrimDarks, and Troll8ama. Through means that remain intentionally am8iguous, the site permits communication 8etween multiple timelines, universes, narrative continuities, sessions, doomed 8ranches, post-canon realities, and fictional cosmologies simultaneously. The resulting population center of a8ject failures com8ined with the masses of more incensed timelines results in a 8rooding conflict of what is true. Entire worlds have esta8lished persistent cultural presences there. Alternia exports its usual social hostility and hemospectrum politics. 8eforus contri8utes aggressively therapeutic social structures and decorative excess. Earth C remains a fascinating 8lend of post-victory exhaustion and reconstructionism. Then there are the transient locations. Repiton has manifested in several iterations, each equally unsta8le and theatrically self-important. Matesprit Island 8riefly attempted to esta8lish itself as a romantic paradise 8efore collapsing 8eneath the sheer weight of quadrant disasters and emotionally charged su8tweeting. Angel’s Nutrition 8lock remains one of the more psychologically confusing communal projects to emerge from the platform, though admittedly not the least successful. The site has also hosted numerous historical events. Eridan Week, for instance, 8egan as an appreciation movement for Eridan Ampora and escalated into a cross-timeline sociological incident involving poetry, discourse, pu8lic meltdowns, quadrant negotiations, and at least one individual achieving God Tier under circumstances no one involved fully understood. The Midnight City Gala represented a comparatively elegant affair. Vast num8ers of attendees arrived from noir-inspired universes and adjacent timelines to engage in formal dancing, political maneuvering, dramatic flirting, and highly stylized emotional suppression 8eneath neon skylines. It was, 8y Chittr standards, remarka8ly civilized. Naturally, much of the platform’s identity is shaped 8y its recurring personalities. Rankmaid occupies a particularly fascinating role within the ecosystem. Temporal awareness, literary self-consciousness, emotional am8iguity, and su8tle manipulative tendencies have rendered her something 8etween an archivist and an ur8an legend. Conversations with her tend to leave lasting psychological residue. One rarely notices this immediately. Jane Crocker remains equally compelling for entirely different reasons. Depending upon the continuity o8served, she may appear as corporate empress, exhausted executive, domestic monarch, or emotionally collapsing pu8lic relations machine. Her statements frequently 8egin with immaculate composure 8efore quietly unraveling into deeply personal hostility. This has 8ecome something of a spectator sport among long-term users. And then, of course, there is Casper Cooper. A... troll. An irritant. Possi8ly one of the most important figures ever to emerge from the site. Casper Cooper developed notoriety through a very specific skillset: interrupting extremely serious personalities at the exact moment they 8ecome most emotionally invested in their own narratives. He inserts a8surdity into solemn declarations with surgical precision. Royal announcements, existential confessions, villainous monologues, political crises, cosmic revelations. None remain untouched. The truly remarka8le aspect is that many major personalities eventually 8egan treating his interruptions as an unavoida8le law of nature rather than an individual action. Which, I suspect, says far more a8out Chittr.ing than it does a8out him. Ultimately, the platform has evolved 8eyond mere socialization. It functions as a living mythology engine. Identities are performed there so consistently that they eventually calcify into something genuine. Irony mutates into sincerity. Fictional personas acquire emotional permanence. And perhaps most importantly of all, everyone involved eventually stops asking where the performance ends.