I’M NOT KILLING PEOPLE. I’M KILLING BOYS. JENNIFER’S BODY. A CLASSIC TEEN DRAMA THRILLER THAT WAS THE PERFECT WAY TO GET MYSELF NICE AND ACCLIMATED TO THE MURKY, SCUM-COVERED POOL WATER IN THE YMCA OF HORROR. THE TILE IS SLIMY AND IT SMELLS LIKE MILDEW IN HERE, BUT FUCK, I GUESS I’M GOING IN ANYWAY. I CAN’T BELIEVE I MANAGED TO— *DECIDED* TO— WATCH VIVARIUM FIRST, GIVEN THAT THE LEVEL OF “TERROR AND DREAD” IN THIS FILM WAS HARDLY WHAT IT WAS FOR THAT ONE. PERHAPS I DUNKED MY HEAD IN FIRST INTO THAT DREADFUL EXISTENTIAL BLACKNESS INSTEAD OF WALKING DOWN THE STEPS HOLDING THE RAILING AND MAYBE DONNING A SWIM CAP LIKE A NORMAL PERSON. IF ONLY I KNEW THAT JENNIFER’S BODY WOULD MAKE ME FEEL, STRANGELY, A SIMILAR EMPTY ACHE. IT STARTS SIMPLE ENOUGH; JENNIFER AND NEEDY ARE TWO EARTH HIGH SCHOOL GIRLS WHO ARE BEST FRIENDS FOREVER. I COULD SEE THEM AS PALE, BUT THAT’S NEITHER HERE NOR THERE. NEEDY IS THIS HUGE DWEEB THAT EVERYONE IS ALWAYS QUESTIONING ABOUT HOW SOMEBODY LIKE JENNIFER— THE PRETTY CHEERLEADER— EVEN ACTUALLY LIKES HER. IT’S CLEAR THAT THE TWO HAVE BEEN FRIENDS FOR A LONG TIME, AND HAVE AN ESTABLISHED BOND. THEY DECIDE ONE NIGHT TO GO OUT TO THIS LOCAL BAR (OR RATHER, JENNIFER CONVINCES NEEDY TO ABANDON HER SHITRINSER OF A MATESPRIT) TO SEE A ROCK BAND THAT’S PASSING THROUGH DEVIL’S KETTLE. THINGS GO WAY SOUTH WAY QUICK. THE BAR, DUE TO AN ACCIDENT OF SOME ELECTRICAL EQUIPMENT GOING HAYWIRE, GOES UP IN FLAMES. IT’S A COMPLETE AND TOTAL SHITFEST, NATURALLY, EVERYBODY SCREAMING AND CRYING AND BURNING AS YOU WOULD DO IF YOU WERE CAUGHT IN A BURNING BUILDING. CLASSIC. JENNIFER IS TAKEN ADVANTAGE OF BY THAT VERY GROUP OF MEN WHEN THEY ASK HER IF SHE AND NEEDY WANT TO COME WITH THEM TO THEIR *TOTALLY AWESOME AND NOT CREEPY* ROCKER SCUTTLEBUGGY. NEEDY SAYS NO, BEGS FOR JENNIFER NOT TO FOLLOW, BUT BECAUSE SHE’S IN SHOCK FROM THE SHIT THAT JUST HAPPENED, SHE GOES WITHOUT PROTEST. AND THIS IS HOW JENNIFER ENDS UP BEING CHOSEN AS A “VIRGIN SACRIFICE” FOR A DEMONIC RITUAL ENACTED BY THE MEN FOR THE PURPOSES OF EVERLASTING FAME AND FORTUNE. I’M NOT SUPER FAMILIAR WITH THE HUMAN SIGNIFICANCE OF VIRGINITY, SO I HAD TO LOOK IT UP, AND WHAT A WEIRD PILE OF MISOGYNISTIC GARBAGE, FIRST OF ALL. YOU SHOULD ALL BE ASHAMED OF YOURSELVES FOR PERPETUATING SUCH A NOTION THAT HONESTLY FEELS PREDATORY AND FUCKING EVIL. I DIGRESS. BUT GET THIS! THIS IS WHERE SHIT HITS THE BREEZE BLENDER. THE RITUAL GOES INCORRECTLY, BECAUSE JENNIFER ISN’T A VIRGIN OR WHATEVER. BECAUSE OF THAT, THE DEMON THAT THE BAND WAS TRYING TO MAKE A DEAL WITH ATTACHES ITSELF TO HER INSTEAD, RESURRECTING HER AND MAKING A HOME ALONGSIDE HER SOUL. THIS GIVES HER AN INSATIABLE HUNGER FOR BLOOD AND VISCERA, WHICH DRIVES HER TO SEDUCE AND SUBSEQENTLY FEED OFF OF THE LIVING, STARTING WITH THE GROUP WHO PUT HER IN THIS POSITION IN THE FIRST PLACE. IT SEEMS THAT WHILE SHE CAN’T CONTROL HER URGES TO FEED, SHE CAN CONTROL *WHO* SHE FEEDS ON, WHICH IS LUCKY FOR NEEDY, BECAUSE SHE REALLY COULD HAVE BEEN IN SOME HOT WATER WHEN JENNIFER SHOWED UP IN HER HOUSE COVERED IN BLOOD AND BILE HUNGRY AS FUCK AND ATE HER MOM’S ROTISSERIE CLUCKBEAST OUT OF THE THERMAL HULL. SO THE KILLINGS CONTINUE, AND NEEDY IS TRYING TO FIND A REASON FOR ALL OF THIS INSANE HORSESHIT BECAUSE SHE STILL DOESN’T QUITE GET THE CONNECTION BETWEEN THE BEHAVIOR OF HER FRIEND AND THE MISSING BOYS THAT HAVE CROPPED UP TORN TO BITS IN THE DAYS AFTER. SOMEHOW. EVEN WHEN JENNIFER VISITS HER AT HOME AND SHOWS HER FLESH— HER TONGUE, TO BE EXACT— IS IMMUNE TO INJURY. IT ONLY CLICKS SHE VISITS THE SCHOOL LIBRARY AND LEARNS ABOUT HUMAN OCCULT RITUALS AND REALIZES THAT JENNIFER IS POSSESSED. IT CULMINATES, WHEN, ON THE NIGHT OF THE DANCE, NEEDY FINDS HERSELF ABANDONED BY HER CHIP AND REALIZES THAT JENNIFER IS RESPONSIBLE FOR LEADING HIM ASTRAY. NEEDY FINDS HER IN AN ABANDONED POOL HOUSE WITH HER MATESPRIT HALF-ALIVE, AND THEY HAVE A SHOWDOWN, WHICH LEAVES NEEDY ALIVE WITH A FEW SCRATCHES AND CHIP DEAD. NEEDY HUNTS JENNIFER DOWN THAT NIGHT, AND KILLS HER IN HER CHILDHOOD BEDROOM. THIS IS WHAT LANDS NEEDY IN PRISON, WHICH IS WHERE THE STORY STARTED US OFF. THE ACTUAL UNDERLYING NARRATIVE OF JENNIFER’S BODY, IF YOU’RE PAYING ATTENTION (I.E. IF YOU HAVE A PULSE AND ANYTHING BIGGER THAN A FART NIBLET LOLLING ABOUT ON YOUR LOBE STEM) IS REALLY… SAD. THE USE OF SEDUCTION TO ENTRAP THE UNSUSPECTING HAMBEASTS THAT FALL INTO HER CLUTCHES IS A VERY, *VERY* INTENTIONAL PLOT DEVICE. THE WHOLE REASON SHE’S EVEN IN THIS POSITION IS NOT OF HER OWN VOLITION; SHE WAS TRAUMATIZED FROM A BAR FIRE AND THEN ROUNDED UP BY A GROUP OF PREDATORS WHO WANTED TO USE HER *BODY* FOR A RITUAL THAT ENDED UP GOING HAYWIRE. SEE? EVEN DOWN TO THE TITLE. I FEEL LIKE I’M CONNECTING SOME DOTS HERE FOR YOU HOPEFULLY. IT’S ONLY BECAUSE OF THEIR CHOICES THAT SHE’S NOW STRUNG UP WITH A CURSE THAT SHE CAN NEVER QUELL. A POSSESSION THAT SHE CAN’T CONQUER, LEST SOMEBODY FREE HER FROM IT. WHICH LEADS ME TO NEEDY. THE RELATIONSHIP THAT NEEDY AND JENNIFER MAINTAIN IS ALSO OF INTEREST TO ME. I’VE INTENTIONALLY SKIPPED A FEW PIECES OF THE SYNOPSIS TO COME BACK TO THIS EXPLANATION HERE. THERE’S THIS SWEEPING UNDERCURRENT OF INNATE CONNECTION THAT THE TWO OF THEM HAVE HISTORICALLY SHARED. THE WATCHER IS PRIVY TO SOME FLASHBACKS ABOUT THEIR LIFE WHEN THEY WERE WIGGLERS, AND INCLINATIONS TO THEIR FRIENDSHIP UP TO NOW. THERE’S NO DENYING THAT THEY’RE BONDED LIKE I SAID BEFORE, BUT HOW DEEP DOES IT REALLY GO? THE STORY DOESN’T SPELL IT OUT, BUT WE CAN HYPOTHESIZE. THE FIRST SCENE I’LL GIVE MENTION TO IS WHEN NEEDY AND CHIP ARE DOING A HUMAN MATING RITUAL, AND JENNIFER IS ABOUT TO TEAR COLIN, THAT SAD EMO KID, APART TO EAT HIM. WE GET A DISTURBING BACK AND FORTH BETWEEN CHIP AND NEEDY DOING WHATEVER THEY’RE DOING (AND GOD, DOES IT LOOK DRY) AND JENNIFER TEARING COLIN LIMB FROM LIMB. WHILE THIS HAPPENS, NEEDY HALLUCINATES BLOOD DRIPPING FROM THE CEILING AND SHE FLIPS HER EVERLOVING SHIT. THAT EVENING, WHEN NEEDY IS SAFE AND SOUND IN BED, JENNIFER SNEAKS IN AND PROCEEDS TO SEDUCE HER. AND DON’T GET ME WRONG, I THINK THIS PART WAS LIKELY A BIT OF A GRAB FOR THE AUDIENCE WHO WANT TO DROOL AT TWO HOT HUMAN GIRLS SWAPPING SPIT, BUT I ALSO THINK THAT JENNIFER WAS TRYING TO SHOW NEEDY HER ABILITIES IN AN ATTEMPT AT… CAMARADERIE? WARNING SIGNAL? IT WASN’T WITH THE INTENT TO EAT HER LIKE ALL THE OTHERS, THAT’S FOR SURE. AND IT’S AT THIS POINT THAT WE LEARN WHAT REALLY HAPPENED TO JENNIFER THE NIGHT OF THE FIRE, WHICH TINGES THIS WHOLE SCENE BLUE FOR ME. JENNIFER IS *SAD*. SHE HERSELF WAS KILLED, RIPPED APART, FLAYED OPEN, AND SO IT FUCKING SERVES THEM ALL RIGHT THAT THE DEMON THAT OVERTOOK HER IS HELPING HER ENACT REVENGE. AND THIS, FURTHERMORE, IS WHY SHE REPEATEDLY SPARES NEEDY, TIME AFTER TIME. JENNIFER DOESN’T EVEN WANT TO HURT ANYONE, BUT *ESPECIALLY* NOT THE ONE PERSON IN HER LIFE THAT SEEMS TO TRULY LOVE AND UNDERSTAND HER DEEPER THAN SUPERFICIALLY. THEY HAVE SOME SORT OF PITY CONNECTION THAT CAN’T EVEN BE SEVERED BY A DEMONIC PRESENCE. DAMN, WISH I HAD SOMEBODY LIKE THAT. WHO TYPED THAT LAST SENTENCE. MOVING ON. THE FINAL SCENE WITH JENNIFER PRESENT IS THE OTHER IMPORTANT PIECE OF THE PUZZLE. NEEDY HUNTS HER DOWN AFTER SHE KILLS CHIP, AND THE TWO HAVE A BRAWL IN JENNIFER’S BEDROOM. IT ENDS WHEN NEEDY DISARMS HER BY BREAKING HER “BFF” NECKLACE, AND IT IS THIS ACTION THAT HELPS NEEDY TAKE THAT FINAL SWING AND STAB HER IN THE HEART. THE TWO OF THEM HAVE THIS, DARE I SAY, TENDER MOMENT AS JENNIFER TAKES HER LAST BREATHS. AS SHE EXHALES FOR THE LAST TIME, HER PALLOR RETURNS TO WHAT IT ONCE WAS, AS IF THE DEMON WERE FINALLY PROPERLY EXORCISED. IT’S A MERCY KILLING AS MUCH AS IT IS AN AVENGEMENT. YOU CANNOT CONVINCE ME OTHERWISE. AND STILL, THAT FEELING LINGERS. JENNIFER WAS A GIRL THAT ULTIMATELY, DESERVED ABSOLUTELY NOTHING THAT HAPPENED TO HER. AND SHE FUCKING DIED FOR IT ANYWAY. THEN, NEEDY, HER BEST FRIEND IN THE WORLD, CONTINUES HER LEGACY AND REVENGE SPREE, IF ONLY TO RESPECT THE MEMORY OF HER DEAREST FRIEND. NEEDY IS PULLED INTO THE WAVES TOO. THE RIPPLE EFFECT IS BIGGER THAN JUST JENNIFER. IF THAT’S NOT THE MOST UNFORTUNATE THING YOU’VE EVER WATCHED OR HEARD, YOU NEED YOUR GANDERBULBS AND AURALDUCTS CHECKED. YES, IT’S CAMPY AND A BIT KETCHUP-BLOODY. YES, IT USES LANGUAGE THAT 6 YEAR OLD ME WOULD HAVE USED AND THEN SUBSEQUENTLY BEAT PAST KARKAT UP FOR LATER. IT’S OBVIOUSLY OF ITS TIME, AND THERE’S NOTHING THAT WILL CHANGE THAT. HOWEVER. NON OF THAT NEGATES THE FACT THAT THIS IS A NARRATIVE ABOUT ONE’S CHOICES AND HOW THEY CAN DESTROY ANOTHER’S LIFE. AND MORE SPECIFICALLY, HOW MEN’S DELIBERATE DECISIONS CAN AFFECT WOMEN. IT’S HUGELY ALLEGORICAL FOR THE WAY MANY SOCIETIES OPERATE NOW, WHETHER IT’S MISOGYNY OR CASTEISM OR WHATEVER OTHER PIECE OF SOCIOLOGICAL CONCEPT YOU WANT TO PUT THE LENS ON IT WITH. I THINK THIS FILM GETS A DISTORTED AND UNEARNED PERSPECTIVE PLACED ON IT BECAUSE PEOPLE JUST AREN’T PAYING ATTENTION. FOUR STARS. KILL MORE BOYS. HTTPS://CDN.IMGCHEST.COM/FILES/7AFCA7A64B23.JPEG #BLOOD #SUGGESTIVE MAYBE


