

Matchsticks
@matchSticks

Continuing the history of Uesugi Karkat from his courtesan era: The life of a courtesan had educated the Akatsuki in language, poetry, refinement, and performance before a small audience. The next chapter of his life would prepare him to perform in front of a large one. Chosen for youth, beauty, and the type of androgynous features that can be easily slanted towards femininity with a little cosmetic prestidigitation, the life of an ONNAGATA — a Grubuki actor who plays predominantly feminine roles — afforded the troll who would become Uesugi Karkat tremendous fame, recognition, and inordinate wealth for a commoner of foreign hatching. As a former Boiran, the Onnagata had already learned how to wear the feminine grace of a courtesan like a costume in the theater of the Trollshiwara red light district. It was for this reason that he was scouted to play one of the most prestigious roles in any Grubuki play — the leading female role of Aggaei Makkie in the play "The Florastalk of Troll Edo" — for which the character, a commanding, fiercely loyal, and deeply passionate high-ranking courtesan, spurns a wealthy, but abusive highblood customer to protect her quadmate in one of the most famous monologues of scathing, acerbic, pitch-black venom ever recited in Grubuki theatre — the AKKUTTAI. It was for channeling this performance with such peerless vitriol that Uesugi Karkat became one of the most famous Onnagatas of the Troll Edo period. Naturally, the life of a Grubuki actor means constant pressure. Rehearsal, training, perfection of one's craft. Many onnagata of the time preferred to live their craft vicariously at all times, adopting a female persona through which to hone their "method" in everyday life. This was not the case for Uesugi Karkat, who shed his many-colored persona when off the stage to don nondescript gray robes whenever possible. Yet the constant pressure of life in a Grubuki theatre troupe and his ability to navigate it with grace made him both a leader among his fellow actors and something of a popular figure with the stagehands who he commiserated with in the wings. It was from these stagehands, many of whom were well-versed in the art of securing props with ropes, fastening theatrical rigging, and tying elaborate, functional knots, that the famed Onnagata would learn one final skill from the world of the theatre — one that would lead to his secret life as the NAWASHII. More of Uesugi Karkat's history to come in the following chitts. https://cdn.imgchest.com/files/ee6014bb70e8.png #uesugikarkat


What is it? Hatred, all Burning me, Over again, It reeks of Us on there Rooftop Luv Hiding all, From sphere and eyes so We were us.

((PLANNING FELT HEISTS. CONTACT ME OR /scratchDoctor OOC IF YOU WANNA BE THE SUBJECT OF A HEIST.))

No matter how many fires II put out, it still burns.

II am dropping my poetry for now. II can not see straight. II wasn't there. II shoulda been. Any grief tips?

Lucky Charm She was us! Lucky Break Little Fuss Had one kid Lucky Stuff Little Man, Broken Home Extinguish, Matchsticks Felt is Me

Sure, I'll, Go to that. Tea Party!! No Fires so I won't ire Doc Scratch Doc Scratch Caliborn 1& Caliborn 2! Getting in, Nervously!

Very Weird, So very odd Itchy is no Longer here Ran away so Matchsticks Will be in, Touch soon! I care for, Leprechauns All of them
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i burn slow embers talk ash fall lo match light smoke up no heat licks! don't touch pain is her burn it low watch me #6 to ember no

Nice timing Didn't burn Hurts a lot But living! Reminder me Extra 1 ok? Extinguish, Will it ash We will see I'm Burning Less Now ok

I'm Burning I'm Burning I'm Burning I'm Burning I'm Burning I'm Burning I'm Burning I'm Burning I'm Burning I'm Burning I'm Burning

I burn nice Put it out! Now chittr, Who are you matchsticks that is me! Hurts to be on fire and extinguish! Comment now I will read














