Just Dirk
@itsDirk
That wasn't me. That was a different guy.
My typical tags. Acknowledge and block. Or don't. You sick fuck. #NSFW. #NSFWE. #Violence. #BodilyHarm. #BodyHorror. #Torture. #TortureFetish. #Fetishism. #Paraphilia. #RiskAwareConsensualKink. #RACK. #ConsensualNonConsent. #CNC. #RiskAwareShitHappens. #RASH. #PersonalResponsibilityInformedConsensualKink. #PRICK. Active in certain circles. They call me Test. It's a long story, and you're not trussed enough to sit through that, so spare me the indignity.
Instead of therapy I suggest beating up people who have wronged you.
HEARD
Both Can Be 🖋️mportant. One Must Heal The M🖋️nd Through Peace And The Soul Through R🖋️ghteous Motherfuck🖋️ng V🖋️olence. :o)
YOu ARE AN ORDINARY ARTIST. YOu CAN COMPLETE THAT SKETCH OuTLINE. YOu ARE AN ORDINARY ARTIST. YOu CAN DRAW ON THE RIGHT LAYER. YOu ARE AN ORDINARY ARTIST. YOu CAN SAVE REGuLARLY SO YOu DO NOT LOSE PROGRESS. YOu ARE AN ORDINARY ARTIST. YOu CAN COMPLETE THAT W.I.P. YOu ARE AN ORDINARY ARTIST. YOu CAN OPEN YOuRSELF TO TAKING COMMISSION SLOTS. YOu ARE AN ORDINARY ARTIST. YOu CAN CREATE A REASONABLE NuMBER OF OCS FOR A SETTING YOu HAVE NOT FINISHED. YOu ARE AN ORDINARY ARTIST. YOu CAN NOW DRAW HER PREGNANT AND GIVING BIRTH.
(an’t imagine wh7 7ou’d get that idea
CORRECT. NOW GET BACK TO WORK. WHAT DO I NOT PAY YOu FOR? NONPRODuCTIVE. LOuNGING ABOuT. AND LAPDOG LIKE PRAISES. LAID uPON ME. LIKE HANDS FROM A CLERIC. ONTO AN uNWILLING PALADIN BITCHMAKER. WHO CAN HEAL HIMSELF. YOu ARE AN ARTIST. NOT A DOCTOR. AN ORDINARY ARTIST. AND I WANT MY ORDINARY WORKS. I ORDINARILY RECEIVE. I AM VERY GLAD MY OPEN TEMPLATE COOKIE CuTTER ENCOuRAGEMENTS MANAGED TO SQuEEZE AND CINCH THEIR WAY AROuND YOuR SPASMODICALLY FLAILING SWORD SHuNTING BODY. BuT THE ONLY WEAPON YOu SHOuLD WIELD. IS THE MIGHTIER OF THE TWO. THE PEN. BELONGING TO THE TABLET. THAT BEARS THE SCRIBBLES. THAT WILL LATER MAKE uP MY FuCKING TAPESTRY. I AM HOWLING SKYWARD. IN EYEHuNGRY AGONY. MORE. ART. DIRK.
WOMEN DO NOT OWN SHE AND HER PRONOuNS. WHAT MADE YOu THINK THIS WAS MY MESSAGE?
Oh, sorry. That's true. Okay, so I'm gonna go draw her now.
VERY GOOD. OH YES. VERY GOOD INDEED.
ᐖ PEGANT JUS LIEK ᐖAT FING ᐖA MAMMALS ᐖO.........IMAGINE IF EVYBOᐖY HAᐖ PREGANTSONAS ᐛ
CLAIREBEAR. GOD FuCKING DAMNIT. LEAVE SOME BRILLIANT IDEAS. FOR THE REST OF uS. WHY DO YOu NOT? THIS FuCKING ROCKS. I REFuSE TO END AT LEAST. ONE POPuLATED WORLD. uNTIL IT IS FuLLY OCCuPIED. BY PREGNANT SONA DRAWINGS. THEN IT CAN GO uP IN FLAMES. YOu HAVE SPARED. FROM MY DEVASTATION. A SINGLE PLANET. uNTIL THIS CONQuEST HAS BEEN ACHIEVED. A MARVELOuS FEAT. EVEN IF THIS IS NOT WHAT WAS INTENDED. PREGNANT SONAS. WHAT A FuCKING CONCEPT.
Well, the appeal of “macro,” as I understand it, has very little to do with mere largeness. That is usually where the uniniti8ted make their first mistake. They imagine the fantasy 8egins and ends with some8ody 8eing huge, as though scale alone were sufficient. It is not. Scale is only the most o8vious instrument. The real su8ject is importance. To 8e small in relation to another 8eing is not necessarily to 8e diminished. In fact, quite the opposite may 8e true! One may 8ecome the single, fragile point upon which an impossi8ly vast attention has settled. A hand the size of a room. A voice that seems to occupy the air itself. A shadow that changes the weather of the heart. These things are frightening, yes, 8ut they are also intimate in a way ordinary courtship struggles to replic8. There is a strange comfort in it, provided the enormous party is careful. That is the crucial detail, you see. Care. Restraint. Deli8er8ness. A giant who simply crushes things is not especially interesting. That is only a disaster with a face. 8ut a giant who could crush you, and does not? A giant who moves slowly 8ecause you are there? Who lowers their voice 8ecause your whole 8ody feels it? Who must consider your safety with every gesture? That is where the fantasy 8ecomes romantic, even devotional. It says: you are tiny, yes. 8ut not irrelevant. It says: this creature is vast enough to treat cities as furniture, yet careful enough to notice whether you are afraid. And I suppose, if we are 8eing honest, there is also a certain vanity in 8eing the treasured little exception. The one not overlooked. The one not stepped over. The one lifted out of the ordinary world and held close to something monumental. Macro is not merely a fantasy of 8eing dwarfed. It is a fantasy of 8eing made precious 8y comparison. Not that I would know anything a8out that. The inverse of this 8eing micro, of course, has many of the opposite principals with similar goals. #cw-macro #cw-size-difference #cw-power-im8alance #cw-nonexplicit-kink-discussion #consensual-fantasy #nsfw #nsfwe #possi8ly
my motherfuckin streetname was the ass hauler knock me down shoulder check i still stand taller shut your lips sway them hips ass my lingua franca shake that shit and dont quit or ill have to spank ya my flow is ineffable intentions unknowable i dont gotta give you jack dick my moneys un-owe-able beat off to the beat like a dick headed stepcock thats to say hey dont play dress the door knob with sock chew through rugs and dope tugs like my bitchs name pb sugar sweet candy treat eyes rolled back like g d future so bright i need shades just to fucking see it open up to each day like [s] ===> the goat imma fuckin be it flash every step like its a strife with my bro and whoever just threw that shit your moms a fuckin hoe
bars as in you should be behind them
the ampopo tried to shut me down chyeah thatll happen when sea pigs like you fly
doobah 👍
seinfeld reference in 2026 god yes
VAPID BLOWMONGER. DIE.
Do you like the nipple I gave you.
IT IS HORRID AND I HATE YOU.
6od damn 6et his ass
It gets worst when you noticed the accounts he follows
he cant do that can he how the fuck is he allowed to do that https://i.ibb.co/Lzsf9gdD/IMG-1620.jpg
Damn.
man i didnt want that shit anyway
8=D < A Most Considerate and Neighsay-Proof Guide to the Social Lifestyles of Pony Play. As written by Horuss Zahhak, who is, I must humbly insist, qualified on an e%ceptional level to speak on the matter. Greetings, stablemates, handlers, riders, grooms, curious on100kers, and those unfortunate enough to have not been improved by e%posure to the noble, hoof-forward arts. Pony play, when approached with respect, care, and proper social awareness goes beyond costumes and performances. It goes beyond the idea of isolated amusement conducted behind metaphorical barn doors. It is a social ecosystem and a stable culture. It is a structured form of chosen presentation, communal bonding, physical theater, role discipline, pageantry, and trust. It can be playful for some, or a grand ceremony for others. It is athletic, aesthetic, and the most intimate act one can undergo. It does not need to encapsulate romance either. It can be platonic, or meditative. To some it is even a competitive e%hibition. To me, it is all of these. To others, it can be a combination of any of these factors. It depends on the participants and the stable in question. The first and foremost crucial point is this; pony play is not one single lifestyle. It is a pasture with many fences, trails, and specialty enclosures. Some of you may enjoy its visual elegance. Imagine yourself with tack, ribbon, boots, harnesses, tails, ears, and postures. Some are drawn to the performance of animality, discipline, or proudly toting a carriage about. Some find joy in service roles, being groomed, led, and learning routines or tasks. Some approach it more like a dance, or theater, or a sport. Some take it seriously. Some simply use it as an e%cuse to toss their head dramatically and be called a very good pony at a social gathering. All of these interpretations are valid, as the stable has enough room for everypony. I. THE STABLE AS A SOCIAL UNIT A pony play community, at its best, resembles a well-run stable. Not because anyone is lesser, and certainly not because anyone has forfeited dignity, but because roles are clearly communicated and people understand how to behave around one another. There may be ponies, handlers, trainers, grooms, riders, spectators, photographers, event hosts, safety monitors, and those who are simply there to enjoy the atmosphere. These roles are not automatic ranks. A handler is not entitled to handle every pony. A trainer is not entitled to train anyone who has not agreed to be trained. A pony is not an object in a decorative stall. They are a person inhabiting a role, often one requiring vulnerability, concentration, and trust. The social center of pony play is therefore not domination, nor display, nor even horsemanship. It is consent. Every lead, cue, command, touch, adjustment of gear, photograph, compliment, or scene interaction should be understood as something that occurs by permission. A polite stablemate does not grab reins. A polite stablemate does not touch tack without asking. A polite stablemate does not assume that a pony who is in role is unable to answer questions, make decisions, or revoke consent. Some ponies prefer to remain nonverbal while in headspace, but that does not make them socially inaccessible. It means their communication has been arranged beforehand, usually through gestures, cards, handlers, or agreed signals. Someone being beautiful, dramatic, restrained, decorated, or visibly in role does not mean they are available to you. II. TYPES OF SOCIAL PONIES There are many styles of pony, and each brings a different energy to the social field. The show pony enjoys presentation. They may favor polished tack, coordinated outfits, graceful movement, poses, ribbons, photographs, and performance. Socially, they may enjoy being admired, but admiration must be respectful. Compliment the craftsmanship, the carriage, the poise, the coordination, or the effort. Do not reduce them to a novelty. The work pony enjoys tasks. Carrying, pulling, fetching, kneeling, standing, waiting, or following cues may be part of their role. In social settings, work ponies often thrive when given structured, useful, agreed-upon activities. They may enjoy feeling relied upon. This does not mean anyone may assign them labor. Their work belongs to their dynamic or scene, not to the entire room. The prancing pony is often theatrical, playful, reactive, and e%pressive. They may nicker, stamp, toss their head, act skittish, preen, or deliberately behave like a nuisance with hooves. They often contribute greatly to the atmosphere of an event. The key social rule is to play along only to the degree invited. Do not escalate someone’s bit into your entitlement. The stable-trained pony may operate within a more formal relationship with a handler or trainer. They may have practiced cues, routines, posture, and protocol. Socially, they may seem distant or highly focused while in role. This is not rudeness. It is concentration. Treat them as you would treat a dancer mid-performance or a fencer holding stance. The pasture pony is casual. Perhaps they like ears and a tail. Perhaps they like being brushed, lounging near friends, or being included without the full pageantry. These ponies are vital. They keep the culture from becoming insufferably competitive, which, as someone tragically prone to becoming insufferably competitive, I say with great reverence. III. HANDLERS, GROOMS, AND TRAINERS Handlers are often the social anchors of pony play. A handler may lead, guide, cue, protect, translate, or help a pony navigate an event. A good handler is not merely someone who gives orders. A good handler watches. They notice fatigue, discomfort, social pressure, overstimulation, equipment issues, dehydration, balance, mood, and whether the pony is still enjoying the e%perience. Grooms occupy an equally important role. Grooming may be practical, ceremonial, comforting, or social. Brushing hair, adjusting ribbons, checking gear, helping with boots, arranging posture, or simply fussing affectionately over a pony can be a major part of stable culture. However, grooming is still interaction. Ask first. Even if the scene 100ks informal, even if others are doing it, even if you have groomed that pony before, ask or rely on established permission. Trainers, meanwhile, should be approached with a certain skepticism unless they have demonstrated humility. Training is not a title one should wear as a crown. It is a responsibility. A trainer helps someone develop skills, habits, routines, and confidence. They should be patient, clear, safety-minded, and uninterested in humiliating people for mistakes. Correction should never be an e%cuse for cruelty. The best trainer is the person whose ponies feel proud, safe, and capable. IV. EVENTS AND PUBLIC SOCIAL SPACES Pony play may occur at private hives, community events, conventions, clubs, workshops, camping weekends, themed parties, or dedicated stable gatherings. Each setting has its own e%pectations. At public or mi%ed-interest events, discretion matters. Not everyone present may pony play. Some will be curious. Some will be confused. Some may behave poorly. The community’s task is not to shrink in shame, but to carry itself with composure. A pony at an event should ideally know where they may safely move, who is responsible for them, what signals they will use, whether photography is allowed, and what to do if they become overwhelmed. A handler should know where water is, where seating is, where quiet space is, and how to help the pony transition out of role if needed. Spectators should remember that pony play is not a petting zoo. The correct approach is not “Can I touch?” as a first sentence, but something more like, “Your outfit 100ks wonderful,” or “Is it all right if I ask about your tack?” Give the person room to decline. A pony who wants attention will often make that clear through their handler, posture, or prior invitation. Photography deserves special mention. Always ask. Ask the pony and, if applicable, the handler. Ask whether the image may be posted. Ask whether faces, tags, names, or locations should be hidden. Some people are comfortable being admired in the moment but cannot safely be displayed online. Cameras are not always safe. Be careful who you let take photos hive. V. COMMUNICATION AND SIGNALS Because pony play often involves role immersion, ordinary speech may not always be the preferred t001. Many participants establish signals. These can include hand squeezes, tapping patterns, colored cards, gestures, posture changes, specific words, or handler-mediated check-ins. A pony might lower their head to indicate calm, stamp to indicate irritation, lean away to indicate discomfort, or use a prearranged signal to pause. None of these should be guessed in the moment. They should be discussed beforehand. A useful stable understands that communication can be stylized without becoming unclear. The fantasy may be elaborate, but the safety structure should be plain. Before any shared activity, participants should discuss at least the following: what roles are being used, what kinds of touch are allowed, what language is welcome, what equipment is involved, what should be avoided, how to pause, how to stop, and how to check in afterward. This does not ruin the magic. It creates the fence that lets the magic run without bolting into traffic. VI. CLOTHING, TACK, AND PRESENTATION Socially, tack is often both costume and language. It may communicate style, role, e%perience, affiliation, mood, or aesthetic. Some ponies favor sleek show-ring elegance. Others prefer rustic stable gear, fantasy pageantry, military polish, circus flair, or deliberately silly costume work. Some dress minimally. Some build elaborate ensembles with ears, tails, boots, gloves, harnesses, bells, ribbons, masks, bits, reins, posture aids, or custom gear. One should never assume the meaning of another person’s tack. A collar, bridle, tail, or harness may have personal significance. It may be decorative. It may be part of a relationship. It may be symbolic of training. It may simply 100k e%cellent, which is also a perfectly noble purpose. Compliments should be specific and non-invasive. “Your ribbon work is beautiful,” “The coordination is e%cellent,” or “You carry that 100k very well” are far better than comments that presume access, ownership, or private meaning. If gear 100ks uncomfortable or unsafe, do not publicly scold unless there is immediate danger. Quietly alert the handler, the wearer, or an event monitor. Many apparent restrictions are designed with safety in mind, but equipment can shift, pinch, overheat, or cause strain. Concern should be practical, not theatrical. VII. HIERARCHY WITHOUT ARROGANCE Some pony play groups enjoy hierarchy: head trainers, stable owners, lead ponies, senior grooms, formal titles, ribbons, ranks, or ceremonial protocols. These can be delightful when everyone understands they are chosen structures, not universal laws. A title means something inside the group that agreed to it. It does not automatically command strangers. This is a frequent social error. Someone may be “Stable Master” in their own community and still be just another guest at someone else’s event. A pony may be highly trained in one dynamic and uninterested in being instructed by anyone outside it. A handler may be deeply respected and still required to ask before touching someone else’s reins. Healthy hierarchy is opt-in, legible, and humble. Unhealthy hierarchy arrives uninvited and e%pects the room to kneel. Do not be that person. It is dreadfully poor form, and not even in a charming way. VIII. AFTERCARE AND SOCIAL RETURN Aftercare is not e%clusive to intense scenes. Even social pony play can produce a STRONG emotional shift. A pony may have spent hours performing, concentrating, receiving attention, restricting ordinary speech, maintaining posture, or inhabiting an altered social role. Coming back to ordinary interaction may feel strange. Aftercare might involve water, food, quiet, blankets, praise, debriefing, gentle conversation, removal of gear, checking for soreness, or simply being treated normally for a while. Some ponies want affection. Some want space. Some want to chatter e%citedly. Some want to vanish into a corner and become a heap of hay-adjacent laundry. All are accepted. Handlers and friends should not assume that the end of the scene means the end of responsibility. The transition matters. A good community normalizes checking in after the ribbons come off. I%. NEWCOMERS AND THE CURIOUS For newcomers, the best entry is respectful observation. Attend a class, munch, social gathering, or demonstration. Ask questions at appropriate times. Learn the language. Do not rush to buy the most elaborate gear before you understand what actually appeals to you. You may discover that you love grooming but not being handled, posture but not roleplay, pageantry but not protocol, or the aesthetic without the lifestyle. It is also acceptable to e%periment slowly. Try ears. Try posture. Try being led by someone you trust in a low-pressure environment. Try grooming a friend’s hair or helping with tack. Try learning cues. Try watching a performance and noticing what makes you curious, envious, nervous, or delighted. Do not let anyone tell you there is only one authentic way to be a pony, handler, groom, or trainer. Authenticity is not measured by the price of your tack or the severity of your protocol. It is measured by whether the role fits, whether consent is clear, and whether the e%perience brings meaning to the people involved. %. CONDUCT UNBECOMING OF THE STABLE For the sake of good order, I shall now list behaviors that should be sent directly to the manure pile. Do not touch without permission. Do not grab reins, tails, harnesses, collars, ears, masks, or clothing. Do not command someone who has not agreed to receive them. Do not mock casual participants for being insufficiently serious. Do not mock serious participants for being too elaborate. Do not photograph without consent. Do not assume pony play is inherently se%ual, inherently nonse%ual, inherently submissive, inherently dominant, inherently silly, or inherently solemn. Do not treat nonverbal roleplay as helplessness. Do not pressure anyone to perform more intensely than they wish. Do not confuse your fantasy with another person’s obligation. A stable survives by trust. Every violation weakens the fence. %I. THE HEART OF IT The social lifestyle of pony play is, at its finest, a shared agreement to make something strange and beautiful together. It allows adults to enter a space where posture, ritual, movement, sound, costume, service, admiration, discipline, and care become a language. It can make someone feel elegant. It can make someone feel useful. It can make someone feel protected. It can make someone feel powerful, cherished, trained, wild, silly, graceful, or seen. There is a great dignity in play when it is chosen freely. A pony is not diminished by wearing reins. A handler is not elevated merely by holding them. The dignity comes from the e%change: the trust to lead and be led, the grace to ask and answer, the humility to learn, and the care to stop when needed. So polish your boots. Brush your mane. Hydrate. Check your gear. Ask before touching. Bow to no hierarchy you did not choose. Respect the pasture, the stable, the ring, and the people who make them possible. We, at least, have the refinement to choose which animal, which tack, and which company. A superior arrangement, I think. Neigh, I know.
8=D < It is my purpose to inform the community as a whole of the superior ways of life.
"= this is a good post. but. no but. it makes me want to delve a little further. ="
"= is this a panspace thing. ... =" "= okay. i will. uh, and then what. ? ="
8=D < I am not your handler. But this sort of content requires a deep studying to f001ly understand.
"= i understand. hm. it's interesting. this feels like a distinct culture gap in regard to some of the niceties of this, is that the beforan element - i could get used to it but the trust associated with this stuff is hard to come by for our kind. ="
You know what? Fine. It can stay like that. What do I even care. #bedtime
Fuck. You.
PATHETIC. YOU CAUSED SO MUCH DISCORD AND HATE AND YET COULDN’T FINISH THE JOB.
Hmm.
MY FATE IS YET UNSEALED. AND I HAVE NO CARE FOR YOUR ENERGY. THIS IS WHY YOU ALWAYS BE SECOND RATE.
New tag to filter. Isn't that so handy? We love a site feature.
Nobody lovez u
Lol
Hey i waz juzt zayin in caze u didnt notice ＼(^-^)／
"Please tell me the whole of this place hasn't formed a pseudo-emotional connection to an auto-badger." This is what I would say if I wasn't so deeply disappointed with all of you.
light blue! silly.
glad you liked it! bye for now. :D
Aw, c’mon. Think of the whimsy.
Aw, shit, that explains everything.
I think you should dislodge the stick up your ass and allow Junior his sentience (although it’s hilarious that tits caused the crash) just for fun. But for that, you’d first have to understand the concept of “fun.” Which you seem to have an adjacent understanding of considering that pinned post of yours…
Alright. It should be back on. Expanded immediate memory, removed some clutter, cleared up the lexicon. If it gives you any lip, I'll hear about it. #juniorcrash
If there is a constant in this universe, it is a Dirk beefing with a reflective surface, on and on, forever.
give the man back his tits he earned them #nsfw
look mr johnny test you have to do this. you cant just leave dukey barren and bereft. its not very "interesting" of you at all
Artist's rendering of what it actually looks like when you keep your brain clone locked in a digital cum jar straight from the mind of Harlan Ellison. #LooksPrettyGayDude #DoingYouAFavorHere #LetHimSpeak.
Who the hell fed my bot "girlbulge" input a thousand fuckin' times. #nsfw #juniorcrash
Explains the recent latency issues. Rebooting. The #juniorcrash log is shittin' straight bananas right now. Fuck you mean it experienced emotions while simultaneously processing a massive rack?
Interesting.
So not Cleverbot, then. Just making sure I understand.
Speaking of manipulation and not of more crude things! I believe tonight will be a lovely night to begin to resynchronizing events.
yknowv vwhat im not gonna get into the implications of that you havwe fun maam #incest
)(ttps://i.pinimg.com/736x/d3/87/60/d38760604cd0191f1c9be5105ad3e76c.jpg
killer fish killer fish from san diego i dont know what i am but i taste really good im a killer fish hello ill be your "killer fish" for the evening
Holepostingのために？
dare tw0 milk what others view as unmilkable.
im always barking this!!!!!!!!!!!!!!!!!
lawwlllllll hit chitt tbqch
My typical tags. Acknowledge and block. Or don't. You sick fuck. #NSFW. #NSFWE. #Violence. #BodilyHarm. #BodyHorror. #Torture. #TortureFetish. #Fetishism. #Paraphilia. #RiskAwareConsensualKink. #RACK. #ConsensualNonConsent. #CNC. #RiskAwareShitHappens. #RASH. #PersonalResponsibilityInformedConsensualKink. #PRICK. Active in certain circles. They call me Test. It's a long story, and you're not trussed enough to sit through that, so spare me the indignity.
YOU.